https://www.senalc.com/2023/03/16/convocatoria-hoja-critica/https://www.senalc.com/2024/05/31/de-mujeres-liberadas-y-pieles-que-son-multitudes-un-acercamiento-a-fe-en-disfraz-de-mayra-santos-febres/https://www.senalc.com/2024/06/03/anatomia-de-la-distancia/https://www.senalc.com/2024/06/05/breve-panorama-de-la-narrativa-latinoamericana-sobre-el-aborto/https://www.senalc.com/2024/08/01/este-vacio-que-hierve-2022-de-jorge-comensal-secreto-ficcion-y-ciencia/https://www.senalc.com/2024/08/01/la-invitacion-al-juego-y-a-la-participacion-en-el-hombre-crucigrama-de-roberto-abad/https://www.senalc.com/2025/05/06/individualidad-metafisica-y-horror-en-chicas-muertas-de-selva-almada/https://www.senalc.com/2025/05/06/la-isla-dentro-de-la-isla-apuntes-sobre-ninas-en-la-casa-vieja-de-dazra-novak/https://www.senalc.com/2025/07/01/demarcaciones-de-la-generacion-cero-analisis-de-una-tendencia-dentro-de-una-propuesta-antologica/https://www.senalc.com/2025/07/01/de-la-intermedialidad-a-la-multimodalidad-lo-fantastico-en-la-ficcion-de-valeria-luiselli/https://www.senalc.com/2025/07/01/maletas-perdidas-san-salvador-2018-de-jacinta-escudos/https://www.senalc.com/2025/08/03/chilco-y-la-sensibilidad-propia-de-un-tiempo-en-crisis/https://www.senalc.com/2025/11/03/las-notas-al-pie-y-al-margen-de-la-minificcion-la-propuesta-escritural-de-kras-quintana/https://www.senalc.com/2017/03/30/curso-cartografia-de-la-narrativa-latinoamericana-reciente/https://www.senalc.com/2013/09/01/una-voragine-de-recuerdos/https://www.senalc.com/2014/03/01/de-lo-malo-y-sus-comienzos/https://www.senalc.com/2015/10/15/adjuntar-documento-escenas-no-vividasvividas/https://www.senalc.com/2015/11/15/mar-y-tiempo/https://www.senalc.com/2016/05/15/estaciones-del-pensamiento/https://www.senalc.com/2016/08/16/estaciones-del-pensamiento-2/https://www.senalc.com/2013/07/01/un-santo-en-el-siglo-xxi/https://www.senalc.com/2013/08/01/la-muerte-a-tres-voces/https://www.senalc.com/2013/09/01/el-fantasma-de-gilberto-owen/https://www.senalc.com/2013/10/01/entre-el-sueno-y-la-vigilia/https://www.senalc.com/2013/11/01/la-animalidad-de-los-seres-humanos/https://www.senalc.com/2014/04/01/vendra-la-muerte-y-tendra-tus-dientes/https://www.senalc.com/2014/06/01/el-espectaculo-esta-en-todas-partes/https://www.senalc.com/2014/10/01/un-diccionario-canalla/https://www.senalc.com/2015/02/01/la-realidad-bajo-sospecha/https://www.senalc.com/2015/09/15/las-multiples-versiones-de-eva-peron-en-la-literatura-argentina/https://www.senalc.com/2015/12/15/siete-miradas-dislocadas/https://www.senalc.com/2016/04/15/ciudad-de-payasos-las-mutaciones-de-un-texto/https://www.senalc.com/2016/07/15/notas-sobre-el-cuento-peruano-contemporaneo/https://www.senalc.com/2016/11/15/los-desencantos-de-la-memoria/https://www.senalc.com/2013/12/13/manuel-alberca-me-cansa-ya-la-autoficcion/https://www.senalc.com/2013/09/13/entre-la-soga-de-oro-y-esta-intimisima-tristeza/https://www.senalc.com/2013/05/13/el-reino-del-verbo-o-la-transmigracion-de-los-cuerpos-de-yuri-herrera/https://www.senalc.com/2013/05/13/no-entiendo-ese-miedo-a-la-pagina-en-blanco-entrevista-a-yuri-herrera/https://www.senalc.com/2012/10/13/la-suerte-de-ugolino/https://www.senalc.com/2013/09/13/karla-suarez-todos-mienten/https://www.senalc.com/2014/02/14/nuestro-trabajo-es-lamentarlo/https://www.senalc.com/2014/06/01/de-la-taiga-al-recuerdo-del-recuerdo-a-la-taiga/https://www.senalc.com/2014/03/21/exploracion-del-vacio-y-la-deriva-existencial/https://www.senalc.com/2014/05/21/paisajes-sonoros-de-la-literatura/https://www.senalc.com/2016/08/15/el-tiempo-contraido/https://www.senalc.com/2015/02/01/america-latina-una-cartografia-politica/https://www.senalc.com/2016/04/15/de-la-madriguera-a-mictlan-la-incorporacion-de-referentes-prehispanicos-en-dos-novelas/https://www.senalc.com/2016/06/15/periferias-de-la-narcocracia/https://www.senalc.com/2016/10/15/al-resguardo-del-diario-posar-desnuda-en-la-habana-de-wendy-guerra/https://www.senalc.com/2016/02/21/la-novela-policial-como-literatura-social-en-america-latina/https://www.senalc.com/2017/06/01/nueva-visita-al-periodo-especial-que-en-vez-de-infierno-encuentres-gloria/https://www.senalc.com/2014/06/21/el-olvido-y-el-descubrimiento-del-estio/https://www.senalc.com/2015/06/19/los-buhos-no-son-lo-que-parecen/https://www.senalc.com/2016/06/21/entrevista-a-alfredo-nunez-lanz-editor-de-textofilia/https://www.senalc.com/2016/03/21/reloj-inmovil-guantes-colgados/https://www.senalc.com/2015/03/15/mas-alla-del-policial-revolucionario/https://www.senalc.com/2013/10/21/tugurizacion-y-estatica-milagrosa/https://www.senalc.com/2013/09/21/este-libro-no-puede-ser-distribuido-en-latinoamerica-crimen-en-el-barrio-del-once-de-ernesto-mallo/https://www.senalc.com/2015/09/21/alejamientos-al-pueblo-de-la-princesa/https://www.senalc.com/2016/09/21/tiempo-de-compensacion-22-textos-sobre-futbol/https://www.senalc.com/2016/09/11/obras-intermediales-y-estetica-conceptual/https://www.senalc.com/2014/04/29/leo-brouwer-los-pasos-perdidos/https://www.senalc.com/2014/04/28/leo-brouwer-la-region-mas-transparente-1982/https://www.senalc.com/2013/05/26/la-obra-teorica-de-cornejo-polar-una-lectura-desde-la-amistad/https://www.senalc.com/2013/06/26/armando-velazquez-soto/https://www.senalc.com/2013/08/01/bolano-superestrella/https://www.senalc.com/2013/09/26/narrar-una-fotografia-imagen-y-palabra-en-relatos-latinoamericanos/https://www.senalc.com/2013/11/27/de-cuando-el-concepto-sustituye-al-objeto/https://www.senalc.com/2014/04/27/manual-hecho-de-lengua-convertido-en-piedra-sobre-croma-de-emilio-gordillo/https://www.senalc.com/2014/07/01/dijque-que-dijque-que-dijque-el-revoltijo-geo-logicopolitico-en-los-estratos-de-juan-cardenas/https://www.senalc.com/2015/04/01/la-medida-se-revierte-el-holotipo-de-la-filial/https://www.senalc.com/2015/11/15/trabajos-del-reino-genealogia-de-la-ceguera/https://www.senalc.com/2016/06/15/facsimil-de-alejandro-zambra-juego-y-profanacion/https://www.senalc.com/2016/12/15/topologias-de-lo-comun-e-interferencias-literarias/https://www.senalc.com/2015/07/01/el-aforismo-imagen-fotografica-y-literaria/https://www.senalc.com/2016/07/15/la-seduccion-del-cuerpo-a-traves-de-la-fealdad/https://www.senalc.com/2016/10/15/juegos-linguisticos-en-la-narrativa-entrevista-a-dina-grijalva-sobre-su-libro-goza-la-gula/https://www.senalc.com/2016/09/15/obras-intermediales-y-estetica-conceptual-conversacion-con-daniela-bojorquez-veronica-gerber-gabriela-jauregui-y-laureana-toledo/https://www.senalc.com/2016/06/15/defensa-del-ocio/https://www.senalc.com/2016/11/15/guillermo-samperio-prestidigitador/https://www.senalc.com/2016/07/17/el-sonido-oscuro-de-aquel-mar/https://www.senalc.com/2016/10/14/la-poetica-de-la-dislocacion/https://www.senalc.com/2016/05/15/anotaciones-sobre-el-intelectual-en-el-jardin-devastado-de-jorge-volpi/https://www.senalc.com/2014/03/01/mar-y-tiempo-2/https://www.senalc.com/2017/06/01/los-carceleros-no-hablan-nuestro-idioma/https://www.senalc.com/2013/12/01/etnoficcion-el-imposible-discurso-del-otro/https://www.senalc.com/2014/02/01/cartografias-de-la-teoria-y-la-critica-latinoamericanista/https://www.senalc.com/2014/06/01/narrar-desde-la-ciudad-taxistas-y-peluqueros-en-los-relatos-de-juan-villoro/https://www.senalc.com/2014/07/01/ecfrasis-de-la-memoria/https://www.senalc.com/2014/09/01/en-los-bordes-entre-lo-banal-y-lo-extraordinario/https://www.senalc.com/2014/10/01/adaptar-y-escribir-guiones-incursiones-cinematograficas-de-jep/https://www.senalc.com/2014/11/01/antonio-cornejo-polar-y-la-regionalidad-de-los-conceptos/https://www.senalc.com/2015/02/01/el-hombre-que-confundio-la-realidad-con-un-archivo/https://www.senalc.com/2015/09/15/bolano-cuentista-51-relatos-y-contando/https://www.senalc.com/2015/12/15/alguien-deberia-de-escribir-una-cancion-sobre-todos-nosotros/https://www.senalc.com/2016/02/16/el-puente-del-horror/https://www.senalc.com/2016/10/14/ignorados-perros/https://www.senalc.com/2016/08/15/la-narrativa-policiaca-entre-centenarios-y-encapuchados/https://www.senalc.com/2016/08/15/el-escritor-como-espia/https://www.senalc.com/2015/05/15/ficcion-y-realidad-la-novela-historica-en-latinoamerica/https://www.senalc.com/2015/10/15/los-libros-invisibles/https://www.senalc.com/2016/07/15/pintar-un-cuadro-entrevista-a-ave-barrera/https://www.senalc.com/2015/12/03/una-historia-travesti/https://www.senalc.com/2015/07/03/de-literaturas-segregadas-y-usos-emergentes-de-la-cultura/https://www.senalc.com/2015/03/03/confien-en-nosotros-esto-es-lo-que-ven-esto-es-lo-que-saben/https://www.senalc.com/2015/05/03/para-leer-el-tarot/https://www.senalc.com/2016/11/03/lectura-y-experiencia-el-retorno-de-la-politica-por-medio-de-la-letra/https://www.senalc.com/2016/09/03/el-deseo-nace-del-derrumbe/https://www.senalc.com/2014/05/01/juan-cardenas-o-la-memoria-como-imposibilidad/https://www.senalc.com/2014/07/01/una-fuga-de-generos-ficcion-y-memoria-en-el-mago-de-viena-de-sergio-pitol/https://www.senalc.com/2014/09/01/el-espectaculo-de-la-intimidad/https://www.senalc.com/2014/10/01/jep-periodista-cultural-un-paisaje-ignoto/https://www.senalc.com/2015/05/01/martin-caparros-y-la-cronica-del-yo/https://www.senalc.com/2015/10/15/vila-matas-y-los-limites-de-la-vanguardia/https://www.senalc.com/2015/11/15/fabio-morabito-un-ethos-autobiografico/https://www.senalc.com/2016/03/15/pensar-la-forma-o-la-creacion-como-critica/https://www.senalc.com/2016/04/15/para-fisurar-el-ensayo-latinoamericano/https://www.senalc.com/2015/03/01/hormigas-rojas-o-las-posibilidades-del-vacio/https://www.senalc.com/2016/04/17/sonrisa-de-lo-innombrable-la-balada-de-los-arcos-dorados-de-cesar-silva-marquez/https://www.senalc.com/2016/06/15/pato-por-liebre-blanco-nocturno-de-ricardo-piglia/https://www.senalc.com/2016/12/15/asociacion-evocacion-la-memoria-de-las-cosas-de-gabriela-jauregui-2/https://www.senalc.com/2017/06/01/literaturas-posautonomas-un-debate-para-la-critica-literaria-latinoamericana/https://www.senalc.com/2014/05/01/el-miedo-y-sus-metaforas/https://www.senalc.com/2016/08/15/entrevista-a-rodrigo-hasbun/https://www.senalc.com/2016/03/15/el-carpentier-de-la-radio/https://www.senalc.com/2016/11/15/mario-mendoza/https://www.senalc.com/2015/07/01/conde-de-arriaga/https://www.senalc.com/2016/09/15/salvador-elizondo/https://www.senalc.com/2017/06/01/1710/https://www.senalc.com/2017/06/01/analisis-de-la-primera-escena-del-crimen-en-la-muerte-me-da-de-cristina-rivera-garza/https://www.senalc.com/2017/06/01/la-solemnidad-interrumpida-en-los-pigmeos-vuelven-a-casa-de-agustin-monsreal/https://www.senalc.com/2016/02/16/la-asimilacion-de-la-literatura-zombi-en-mexico-el-caso-de-la-antologia-de-cuentos-festin-de-muertos/https://www.senalc.com/2013/06/01/un-paseo-extravagante-por-seis-historias-incomodas-de-guadalupe-nettel/https://www.senalc.com/2017/06/30/lo-que-se-narra-y-lo-que-no-se-deja-narrar-2/https://www.senalc.com/2017/06/30/monsivais-la-autobiografia-como-proyecto-de-nacion-2/https://www.senalc.com/2017/08/01/la-novela-como-caos/https://www.senalc.com/2017/08/01/la-giganta-o-el-contraste-como-novela/https://www.senalc.com/2017/08/01/la-metaliteratura-en-el-ultimo-lector-de-david-toscana/https://www.senalc.com/2017/08/01/rodrigo-rey-rosa-y-la-exhumacion-de-latinoamerica/https://www.senalc.com/2017/08/03/taller-minicuento/https://www.senalc.com/2017/08/24/presentacion-del-libro-en-ffyl/https://www.senalc.com/2017/08/31/julio-cortazar-y-el-cine-argentino/https://www.senalc.com/2017/09/01/narcoficciones-2/https://www.senalc.com/2017/08/31/fuego-cruzado-en-la-capital-peruana-2/https://www.senalc.com/2017/08/31/dialectica-literatura-y-politica-la-obra-de-jose-revueltas-2/https://www.senalc.com/2017/09/06/descarga-gratuita-del-libro-la-posicion-sesgada/https://www.senalc.com/2017/10/24/convocatoria-congreso-senalc-2018/https://www.senalc.com/2017/11/01/la-literatura-es-un-instrumento-de-lucha-entrevista-a-socrates-zuzunaga/https://www.senalc.com/2017/11/03/cronicas-de-una-ciudad-imaginada/https://www.senalc.com/2017/11/03/la-venganza-de-lo-real/https://www.senalc.com/2017/11/03/locura-telurica-yuri-herrera-y-el-mapa-de-lo-oculto/https://www.senalc.com/2017/11/03/la-condicion-posnortena/https://www.senalc.com/2017/12/01/las-postales-como-propuesta-ludica-de-esteban-dublin-y-paulo-zamora/https://www.senalc.com/2017/12/01/una-escritora-en-fuga-yolanda-oreamuno-por-sergio-ramirez/https://www.senalc.com/2017/12/01/a-resistencia-lenguaje-y-metaliteratura-en-la-construccion-de-la-memoria/https://www.senalc.com/2018/01/21/la-minificcion-en-hispanoamerica/https://www.senalc.com/2018/02/01/la-literatura-latinoamericana-en-japon-entrevista-a-takaatsu-yanagihara/https://www.senalc.com/2018/02/01/oracion-a-los-despiadados/https://www.senalc.com/2018/02/01/antigona-gonzalez-de-sara-uribe-una-lectura-infrapolitica/https://www.senalc.com/2018/02/20/presentacion-de-libro-palacio-de-mineria/https://www.senalc.com/2018/02/22/congreso-internacional-de-narrativa-latinoamericana-contemporanea-2018/https://www.senalc.com/2018/03/01/el-doctor-vertigo-y-las-tentaciones-del-desequilibrio-entrevista-a-elisa-corona-aguilar/https://www.senalc.com/2018/03/01/convocatoria-de-ingreso-para-nuevos-integrantes-2018/https://www.senalc.com/2018/03/01/mi-compromiso-es-con-la-pagina-entrevista-a-eduardo-lalo/https://www.senalc.com/2018/03/08/presentacion-de-libro-historia-secreta-del-cuento-mexicano/https://www.senalc.com/2018/04/01/escribir-es-una-forma-silenciosa-de-recordar-la-procesion-infinita/https://www.senalc.com/2018/04/01/tres-aproximaciones-tematicas-a-la-obra-de-juan-jose-arreola-conmemoracion-a-los-cien-anos-de-su-nacimiento/https://www.senalc.com/2018/04/01/las-escritoras-van-ganando-terreno-progresivamente-entrevista-a-carmen-olle/https://www.senalc.com/2018/04/01/como-una-cosa-ajena-sobre-un-talud-de-cuentos-de-yuri-herrera/https://www.senalc.com/2018/06/01/la-literatura-conversacion-y-catedra-con-ricardo-piglia/https://www.senalc.com/2018/06/01/auliya-el-desierto-y-la-sed/https://www.senalc.com/2018/06/01/el-regreso-de-las-carabelas-migracion-violencia-y-precariedad-en-estive-em-lisboa-e-lembrei-de-voce-de-luiz-ruffato/https://www.senalc.com/2018/06/01/instrumentaciones-geopoliticas-de-la-violencia-y-sus-estrategias-de-representacion/https://www.senalc.com/2018/07/03/algunas-notas-sobre-el-juego-del-lector-con-el-genero-policiaco-en-rio-fugitivo-de-edmundo-paz-soldan/https://www.senalc.com/2018/07/03/escribir-desde-el-dolor-cuerpos-sin-duelo-de-ileana-dieguez/https://www.senalc.com/2018/07/03/verdad-y-nacionalismo-segun-honorio-bustos-domecq-y-benito-suarez-lynch-2017-de-sonja-stajnfeld/https://www.senalc.com/2018/07/03/no-decir/https://www.senalc.com/2018/08/01/y-si-todo-es-mentira-racimo/https://www.senalc.com/2018/08/01/nuevas-teorias-literarias/https://www.senalc.com/2018/07/25/curso-violencia-y-literatura-mexicana/https://www.senalc.com/2018/08/01/el-dia-en-el-que-el-negro-se-trague-al-rojo-el-nervio-optico-de-maria-gainza-un-dorodango-verbal/https://www.senalc.com/2018/08/01/vida-devaluada-y-soberania-fallida-en-plop-de-rafael-pinedo/https://www.senalc.com/2018/09/01/escritura-a-tajo-abierto-destinos-inciertos-de-david-eli-salazar/https://www.senalc.com/2018/09/01/la-tradicion-de-encriptar-la-erudicion-genealogia-de-la-soberbia-intelectual-de-enrique-serna/https://www.senalc.com/2018/09/01/tres-cuentos-en-bad-painting-de-anna-lidia-vega-serova-una-lectura-a-partir-de-la-ecfrasis/https://www.senalc.com/2018/09/01/arroja-la-piedra-porque-no-estas-libre-de-pecado-matanzas-de-estudiantes-en-obras-de-jose-revueltas-y-diana-del-angel/https://www.senalc.com/2018/10/01/resabios-socialistas-un-hombre-nuevo-en-mexico/https://www.senalc.com/2018/10/01/caminar-al-reves-la-autofiguracion-negativa-en-la-literatura-argentina/https://www.senalc.com/2018/10/01/debo-olvidar-que-existi-elena-garro-los-intelectuales-y-el-68/https://www.senalc.com/2018/10/01/dislocaciones-de-lo-ficcional-para-derrotar-lo-real/https://www.senalc.com/2018/11/01/memoria-e-identidad-zapoteca-en-relacion-de-hazanas-del-hijo-del-relampago-gaa-ka-chhaka-ki-de-javier-castellanos/https://www.senalc.com/2018/11/01/yo-es-otres/https://www.senalc.com/2018/11/01/mejico-de-antonio-ortuno-y-la-debacle-etica-de-la-epica-nacional/https://www.senalc.com/2018/12/01/el-discurso-violento-del-cuerpo-animalizado-en-las-elegidas-de-jorge-volpi/https://www.senalc.com/2018/12/01/pues-yo-no-vuelvo-para-la-cocina-ni-el-negro-para-la-senzala-ni-el-gay-para-el-armario/https://www.senalc.com/2019/02/01/peru-chicha-de-dorian-espezua/https://www.senalc.com/2019/02/01/la-ficcion-como-reescritura-de-la-historia-mapocho-de-nona-fernandez/https://www.senalc.com/2019/02/01/algunas-posturas-literarias-de-mario-levrero-a-partir-de-sus-conversaciones/https://www.senalc.com/2019/02/01/con-cada-cancion-un-companero-desaparece-detras-del-vidrio-de-sergio-schmucler/https://www.senalc.com/2019/02/01/notas-sobre-algunas-convergencias-espacio-temporales-en-la-ciudad-de-mexico-el-ejemplo-de-mictlan-de-francisco-mata-rosas/https://www.senalc.com/2019/03/01/casas-vacias-para-albergar-la-vida-o-la-muerte-entrevista-a-brenda-navarro/https://www.senalc.com/2019/03/01/mario-levrero-el-policial-como-genero-criminal/https://www.senalc.com/2019/03/01/explorar-la-idiosincrasia-colombiana-y-latinoamericana-en-clave-zombi-conversacion-con-miguel-angel-manrique/https://www.senalc.com/2019/03/01/canibalismos-filiales-el-espacio-donde-habita-lo-siniestro-en-mandibula-de-monica-ojeda/https://www.senalc.com/2019/04/01/literatura-y-revolucion-los-proyectos-latinoamericanistas-de-los-anos-sesenta/https://www.senalc.com/2019/04/01/memoria-narracion-y-resistencia-el-codice-ayotzinapa/https://www.senalc.com/2019/04/01/les-basta-ver-ese-rostro-partido-y-ensangrentado-y-se-van-creyendo-que-le-han-dado-el-tiro-de-gracia-poetica-de-la-violencia-en-glaxo-de-hernan-ronsino/https://www.senalc.com/2019/04/01/desdibuje-una-frontera-entrevista-con-sylvia-aguilar-zeleny/https://www.senalc.com/2019/04/01/todos-somos-guacherna-la-politica-del-desvio-en-ornamento-de-juan-cardenas/https://www.senalc.com/2019/05/01/las-cegueras-en-la-obra-de-guadalupe-nettel/https://www.senalc.com/2019/05/01/una-comarca-surena-la-oralidad-en-no-habra-retorno-de-claudia-morales/https://www.senalc.com/2019/05/01/los-cien-anos-de-macondo-a-netflix/https://www.senalc.com/2019/05/15/conferencia-hacia-una-genealogia-de-la-narratividad/https://www.senalc.com/2019/05/15/macondo-llega-a-netflix-entrevista-a-ivonne-sanchez-becerril/https://www.senalc.com/2019/06/01/la-tradicion-del-exilio-argentino-notas-para-una-propuesta-de-estudio-literario/https://www.senalc.com/2019/06/01/los-dragones-interiores-y-la-lanza-quijotesca-breve-diccionario-clinico-del-alma-2010-de-jesus-ramirez-bermudez/https://www.senalc.com/2019/06/01/aporias-democraticas-breve-contrahistoria-de-la-democracia-de-francisco-serratos/https://www.senalc.com/2019/07/01/la-lectura-como-practica-de-consumo-consideraciones-a-partir-de-el-lector-a-domicilio-de-fabio-morabito/https://www.senalc.com/2019/07/01/renovacion-de-un-genero-el-terror-social-latinoamericano-de-mariana-enriquez/https://www.senalc.com/2019/07/01/restauracion-una-novela-de-variaciones-figuraciones-fugas/https://www.senalc.com/2019/08/01/la-lengua-atravesada/https://www.senalc.com/2019/08/01/maternidades-disidentes-en-la-literatura-hispanoamericana-contemporanea/https://www.senalc.com/2019/08/01/reir-para-no-llorar-la-critica-academica-en-no-voy-a-pedirle-a-nadie-que-me-crea-2016-de-juan-pablo-villalobos/https://www.senalc.com/2019/08/13/curso-de-la-narrativa-breve-al-dinosaurio-la-minificcion-en-hispanoamerica/https://www.senalc.com/2019/09/01/el-cuerpo-en-disputa-ideologia-y-estado-en-el-pacto-de-la-hoguera-de-alfredo-nunez-lanz/https://www.senalc.com/2019/09/01/alejandro-sehtman-y-elizabeth-zenteno-coords-continuidades-rupturas-y-emergencias-las-desigualdades-urbanas-en-america-latina/https://www.senalc.com/2019/09/01/el-personaje-transficcional-en-el-mundo-hispanico-jeromine-francois-y-alvaro-ceballos-viro-eds/https://www.senalc.com/2019/10/01/aprender-a-leer-teoria-clases-1985-algunos-problemas-de-teoria-literaria-de-josefina-ludmer/https://www.senalc.com/2019/10/01/los-cuerpos-que-cuidan-los-cuerpos-que-envejecen-los-cuerpos-que-trabajan-entrevista-a-alejandra-eme-vazquez/https://www.senalc.com/2019/10/01/silbidos-de-miedo-enero-cuando-todo-termina/https://www.senalc.com/2019/10/01/3465/https://www.senalc.com/2019/10/01/ii-congreso-internacional-de-narrativa-latinoamericana-contemporanea-2020/https://www.senalc.com/2019/11/01/distopias-del-poder-en-el-cyberpunk-latinoamericano-ygdrasil-de-jorge-baradit/https://www.senalc.com/2019/11/01/en-las-cosas-mas-minimas-esta-todo-los-objetos-de-memoria-en-poste-restante-de-cynthia-rimsky/https://www.senalc.com/2019/11/01/narrar-la-ciudad-disputar-la-ciudad-ocupar-la-ciudad/https://www.senalc.com/2019/11/01/otros-mundos-culturales-los-cuentos-de-lachibeyid-de-mario-molina-cruz/https://www.senalc.com/2019/12/01/memorias-de-espana-1937-la-comitiva-mexicana-que-viajo-a-la-guerra-civil/https://www.senalc.com/2019/12/01/cuaderno-ideal-la-novela-aforistica-de-brenda-lozano/https://www.senalc.com/2019/12/01/las-grietas-de-occidente-la-palabra-y-el-cuerpo-marginal-en-los-vigilantes-de-diamela-eltit/https://www.senalc.com/2019/12/01/apropiacionismo-como-construccion-del-corpus-textual-y-visual-en-alberto-blanco-y-joel-peter-witkin/https://www.senalc.com/2020/02/01/ficcion-y-realidad-de-los-circuitos-literarios-biblioteca-minima-de-alejandro-arteaga/https://www.senalc.com/2020/02/01/limbo-una-novela-encontrada-de-noe-jitrik/https://www.senalc.com/2020/02/01/lo-absurdo-y-el-tiempo-reflexiones-sobre-pajarito-de-claudia-ulloa-donoso/https://www.senalc.com/2020/02/01/sobre-la-vida-academica-en-america-latina/https://www.senalc.com/2020/01/16/premio-hispanoamericano-lya-kostakowsky-de-ensayo-de-literatura-hispanica-2019/https://www.senalc.com/2020/03/01/scats-y-musica-de-trompeta-en-el-campo-de-batalla-quien-mato-a-la-cantante-de-jazz-de-tatiana-goransky/https://www.senalc.com/2020/03/01/el-cementerio-como-narracion-turismo-y-museo-en-alguien-camina-sobre-tu-tumba-de-mariana-enriquez/https://www.senalc.com/2020/02/25/programa-ii-congreso-internacional-de-narrativa-latinoamericana-contemporanea-2/https://www.senalc.com/2020/02/18/conferencia-la-escritura-en-la-pantalla-el-biopic-de-escritores-en-el-cine-latinoamericano/https://www.senalc.com/2020/03/01/radio-ambulante-como-comunidad-imaginada/https://www.senalc.com/2020/03/12/3863/https://www.senalc.com/2020/04/01/los-anos-90-y-la-novela-cyberpunk-en-mexico-la-primera-calle-de-la-soledad-de-gerardo-porcayo/https://www.senalc.com/2020/04/01/el-autor-fuera-de-eje/https://www.senalc.com/2020/04/01/la-ausencia-de-si-mismo-y-el-encuentro-con-el-otro-de-la-mirada-la-sombra-el-sueno-y-el-espejo-en-el-cuento-boxeador-de-carlos-wynter/https://www.senalc.com/2020/05/01/la-novela-de-una-historia-que-nunca-inicia-aproximaciones-a-desague-de-diego-rodriguez-landeros/https://www.senalc.com/2020/05/01/la-extraneza-del-hogar-en-formas-de-volver-a-casa-de-alejandro-zambra/https://www.senalc.com/2020/05/01/curso-mujeres-que-escriben-la-otra-genealogia-del-cuento-mexicano/https://www.senalc.com/2020/05/19/vindictas-seminario-web-sobre-mujeres-y-literatura-del-siglo-xx-en-america-latina/https://www.senalc.com/2020/06/01/hermeneutica-de-las-emociones-la-historia-de-nuestras-vidas-en-el-libro-de-tamar/https://www.senalc.com/2020/06/01/flor-de-capomo-y-puno-de-tierra/https://www.senalc.com/2020/06/01/reflexiones-en-torno-a-los-murales-blasfemos-del-colectivo-mujeres-creando/https://www.senalc.com/2020/06/01/el-lenguaje-indescifrable-la-lectura-a-contracorriente-en-piezas-secretas-contra-el-mundo-de-carlos-labbe/https://www.senalc.com/2020/05/26/charlas-virtuales-ratones-de-biblioteca-iii/https://www.senalc.com/2020/07/01/metatextualidad-y-secreto-en-la-luz-dificil-de-tomas-gonzalez/https://www.senalc.com/2020/06/18/conferencia-algo-se-arrastraba-un-vistazo-a-la-novela-lobo-de-bibiana-camacho/https://www.senalc.com/2020/05/21/mujeres-que-cuentan-breve-revision-historica-por-el-cuento-en-mexico/https://www.senalc.com/2020/05/26/la-minificcion-en-mexico/https://www.senalc.com/2020/06/18/algo-se-arrastraba-un-vistazo-a-la-novela-lobo-de-bibiana-camacho/https://www.senalc.com/2018/02/28/cuerpo-lenguaje-y-reescritura-poesia-de-un-pais-en-guerra/https://www.senalc.com/2018/02/27/imaginar-las-formas-de-la-ausencia-los-trazos-de-la-perdida/https://www.senalc.com/2020/07/01/la-maternidad-como-tema-literario-reflexiones-sobre-linea-nigra-de-jazmina-barrera/https://www.senalc.com/2020/07/01/capitalismo-emocional-y-otras-patranas/https://www.senalc.com/2020/08/01/la-minificcion-en-honduras/https://www.senalc.com/2020/08/01/vestigio-y-especulacion-textos-anunciados-inacabados-y-perdidos-de-la-literatura-chilena/https://www.senalc.com/2020/07/29/curso-taller-virtual-de-la-narrativa-breve-al-dinosaurio-la-minificcion-en-hispanoamerica/https://www.senalc.com/2020/08/01/mosko-strom-la-sociedad-futurista-de-rosa-arciniega/https://www.senalc.com/2020/08/21/mencion-honorifica-en-el-premio-dolores-castro-2020/https://www.senalc.com/2020/09/01/papel-picado-salvar-la-vida-salvarla-juntos/https://www.senalc.com/2020/09/01/la-identidad-femenina-autoficcional-en-conjunto-vacio-de-veronica-gerber/https://www.senalc.com/2020/10/01/reflexiones-sobre-el-istmo-entrevista-a-alexandra-ortiz-wallner/https://www.senalc.com/2020/09/29/novedad-editorial-vida-que-resurge-en-las-orillas/https://www.senalc.com/2020/10/01/la-huella-imposible-algunas-reflexiones-sobre-la-violencia-en-norte-de-edmundo-paz-soldan/https://www.senalc.com/2020/10/06/novedad-editorial-mario-levrero-interrupciones-criticas/https://www.senalc.com/2020/10/07/novedad-editorial-a-golpe-de-linterna-mas-de-100-anos-de-cuento-mexicano/https://www.senalc.com/2020/10/06/conversatorio-a-traves-del-arte-extractivismo-radiacion-y-contaminacion-en-la-compania-y-otro-dia-poemas-sinteticos/https://www.senalc.com/2020/10/06/maternidades-disidentes-entrevista-a-brenda-morales-munoz/https://www.senalc.com/2020/11/09/panel-teoria-y-estudios-literarios/https://www.senalc.com/2020/10/27/escrituras-plurales-resonancias/https://www.senalc.com/2020/11/01/entre-lo-insolito-y-lo-extrano-nuevas-perspectivas-analiticas-de-la-literatura-fantastica-hispanoamericana/https://www.senalc.com/2020/11/01/el-ensayo-en-la-epoca-digital/https://www.senalc.com/2020/11/01/la-politica-y-las-diferentes-formas-de-la-ficcion-una-novela-criminal-de-jorge-volpi/https://www.senalc.com/2020/11/01/soy-una-herida-abierta-la-sangre-de-la-aurora-de-claudia-salazar/https://www.senalc.com/2020/11/09/conferencia-a-golpe-de-linterna-tramar-una-genealogia-de-cuentistas-mexicanas/https://www.senalc.com/2020/11/12/exposicion-virtual-historia-y-destino-de-la-bibliografia-mexicana/https://www.senalc.com/2020/11/19/novedad-editorial-efren-hernandez-o-el-arte-de-la-digresion/https://www.senalc.com/2020/12/01/presentacion-editorial-a-golpe-de-linterna-mas-de-100-anos-de-cuento-mexicano/https://www.senalc.com/2020/12/01/acerca-de-la-edicion-y-lectura-de-los-textos-literarios-en-lenguas-indigenas/https://www.senalc.com/2020/12/01/el-futuro-que-habita-la-memoria-usos-tecnologicos-y-formas-de-visibilidad/https://www.senalc.com/2020/12/01/la-invocacion-de-la-memoria-recursos-narrativos-en-aitana-de-german-espinosa/https://www.senalc.com/2020/12/11/ponencia-magistral-la-violencia-contra-las-mujeres-en-un-contexto-de-guerra-un-analisis-a-partir-de-la-literatura-peruana-contemporanea/https://www.senalc.com/2020/12/01/sucede-que-a-veces-brevemente-olvido-quien-soy-el-boxeador-polaco-de-eduardo-halfon/https://www.senalc.com/2020/12/18/novedad-editorial-a-muchas-voces-escritura-desde-la-maternidad/https://www.senalc.com/2021/01/19/convocatoria-revista-crolar/https://www.senalc.com/2021/01/19/novedad-editorial-de-la-alegoria-a-la-palabra-el-reino-de-yuri-herrera/https://www.senalc.com/2021/01/19/diplomado-en-linea-siglo-xxi-nuevas-perspectivas-tematicas-y-criticas-de-la-narrativa-reciente/https://www.senalc.com/2021/02/01/malambo-notas-sobre-una-novela-afroperuana/https://www.senalc.com/2021/02/01/redimir-la-infancia-permite-que-tus-huesos-se-curen-a-la-luz-de-rogelio-pineda-rojas/https://www.senalc.com/2021/02/01/el-cine-de-terror-en-las-increibles-aventuras-del-asombroso-edgar-allan-poe-de-bernardo-esquinca/https://www.senalc.com/2021/01/29/novedad-editorial-serialidad-narrativa-tres-propuestas-analiticas-en-la-ficcion-policial/https://www.senalc.com/2021/03/01/desde-el-otro-lado-de-la-historia-el-samurai-de-la-graflex-de-daniel-salinas-basave/https://www.senalc.com/2021/03/01/sustraer-para-preservar-un-analisis-del-saqueo-en-la-obra-las-aventuras-de-mister-puttison-entre-los-mayas/https://www.senalc.com/2021/03/01/de-que-hablamos-cuando-hablamos-de-literatura/https://www.senalc.com/2021/04/01/panza-de-burro-una-lengua-como-nieve-encima-de-un-vulcan-dormido/https://www.senalc.com/2021/04/01/politica-de-la-materialidad-optica-sanguinea-de-daniela-bojorquez/https://www.senalc.com/2021/04/16/coloquio-internacional-en-la-mirada-de-otros-retratos-y-autorretratos-literarios-de-los-siglos-xvi-a-xx/https://www.senalc.com/2021/05/01/el-tiempo-sin-dias-diario-negro-de-buenos-aires-de-federico-bonasso/https://www.senalc.com/2021/05/02/4590/https://www.senalc.com/2021/06/01/el-animal-sobre-la-piedra-de-daniela-tarazona-o-las-metamorfosis-del-duelo/https://www.senalc.com/2021/06/01/las-tramas-de-el-gordo-escritor-traficante-de-armas-y-otros-objetos/https://www.senalc.com/2021/06/01/4633/https://www.senalc.com/2021/06/02/la-experimentacion-como-lugar-posible-en-testo-yonqui-de-paul-b-preciado/https://www.senalc.com/2021/07/01/perras-de-jorge-enrique-lage-subgeneros-policiales-y-violencia-en-cuba/https://www.senalc.com/2021/07/01/4658/https://www.senalc.com/2021/08/01/novela-a-cuatro-manos-y-cine-sin-proporcion-los-que-aman-odian-de-alejandro-maci/https://www.senalc.com/2021/09/01/contenidos-de-cuento-en-dos-publicaciones-periodicas-el-cuento-y-solo-cuento/https://www.senalc.com/2021/09/01/a-este-mundo-estrecho-el-amor-le-queda-grande/https://www.senalc.com/2021/10/01/no-hay-ningun-azul-igual-a-otro-desapariciones-y-ausencias-en-cometierra/https://www.senalc.com/2021/11/01/todas-las-rafailas-del-mundo-alla-te-espera-la-vida-de-carolina-castro-padilla/https://www.senalc.com/2021/11/30/seis-directores-en-la-frontera-brasil-uruguay-charla-sobre-la-pelicula-fronterizs/https://www.senalc.com/2021/12/01/tres-tristes-transficciones/https://www.senalc.com/2021/12/06/encuentro-100-anos-de-augusto-monterroso/https://www.senalc.com/2022/02/01/aprender-sobre-la-marcha-a-escribir-la-novela-que-se-ha-planteado-conversacion-con-alejandro-arteaga-sobre-anfiteatro-arlequin-secretaria-de-cultura-zapopan-mexico-2021/https://www.senalc.com/2022/02/01/4770/https://www.senalc.com/2022/02/01/4778/https://www.senalc.com/2022/03/01/fronteras-simbolicas-y-el-lenguaje-como-un-territorio-en-disputa-los-eufemismos-2021-de-ana-negri/https://www.senalc.com/2022/03/01/el-cansancio-se-hereda-conversacion-con-ana-negri-sobre-los-eufemismos/https://www.senalc.com/2022/03/01/comprender-el-pasado-y-hablar-el-presente-el-lado-mas-oscuro-del-renacimiento-de-walter-mignolo/https://www.senalc.com/2022/03/21/nominacion-a-digital-humanities-awards/https://www.senalc.com/2022/04/01/archivo-y-repertorio-las-nuevas-formas-de-narrar-el-adios/https://www.senalc.com/2022/04/02/gabriela-wiener-politicas-de-la-intimidad/https://www.senalc.com/2022/04/02/viajes-sin-retorno-maternidad-y-violencia-en-esta-herida-llena-de-peces/https://www.senalc.com/2022/05/01/ficciones-liminales-narrativa-mexicana-de-inicios-del-siglo-xxi/https://www.senalc.com/2022/05/08/la-escritura-de-y-sobre-mujeres-como-espacio-de-resistencia-jarid-arraes-y-sus-heroinas-negras/https://www.senalc.com/2022/05/10/primeras-jornadas-internacionales-sobre-literatura-del-exilio-argentino-y-latinoamericano-en-mexico/https://www.senalc.com/2022/05/24/convocatoria-iii-congreso-internacional-de-narrativa-latinoamericana-contemporanea/https://www.senalc.com/2022/06/01/escribir-con-manos-de-memoria/https://www.senalc.com/2022/06/20/la-necesidad-de-ficcion-y-la-imposibilidad-de-huir-de-ella-en-sangre-en-el-ojo-2012-de-lina-meruane/https://www.senalc.com/2022/06/20/las-migraciones-del-agua-la-transformacion-como-simbolo-poetico-y-como-instrumento-de-critica-en-distancia-de-rescate-2014-de-samanta-schweblin/https://www.senalc.com/2022/07/05/la-lengua-como-territorio-de-identidad-en-ya-no-estoy-aqui-2019-de-fernando-frias/https://www.senalc.com/2022/07/11/las-constantes-tematicas-en-la-memoria-donde-ardia-de-socorro-venegas/https://www.senalc.com/2022/08/01/hacia-la-descolonizacion-del-imaginario-de-los-dominados-ensayos-en-torno-a-la-colonialidad-del-poder-de-anibal-quijano/https://www.senalc.com/2022/08/04/que-hace-dios-en-sus-tiempos-libres-la-fe-la-religiosidad-y-el-genero-en-pelea-de-gallos-de-maria-fernanda-ampuero/https://www.senalc.com/2022/09/01/expectativas-sociales-de-la-lectura-notas-para-una-pesquisa-de-el-lector-a-domicilio-de-fabio-morabito/https://www.senalc.com/2022/09/06/el-arte-de-la-iluminacion-en-augusto-higa-oshiro/https://www.senalc.com/2022/10/09/reconocer-una-construccion-engenerizada-del-conocimiento-genero-y-descolonialidad-maria-lugones-isabel-jimenez-lucena-y-madina-tlostanova/https://www.senalc.com/2022/10/10/bibliografias-de-narrativa-contemporanea-radiografias-del-desarrollo-editorial/https://www.senalc.com/2022/10/10/desautomatizando-el-testimonio-una-revision-de-procesos-de-la-noche/https://www.senalc.com/2022/10/22/premio-internacional-dr-leopoldo-zea/https://www.senalc.com/2022/11/01/programa-iii-congreso-internacional-de-narrativa-latinoamericana-contemporanea/https://www.senalc.com/2022/11/04/de-la-ciudad-ausente-a-la-ciudad-virtual-una-indagacion-sobre-la-ciudad-ausente-de-ricardo-piglia/https://www.senalc.com/2022/12/01/los-itinerarios-del-dolor-niebla-ardiente-de-laura-baeza/https://www.senalc.com/2023/02/21/ciclo-de-conferencias-2023/https://www.senalc.com/2024/07/31/oscuras-calles-de-una-ciudad-de-fantasmas-e-inmortales-la-ciudeath-de-oswaldo-buendia-galicia/https://www.senalc.com/2024/10/03/una-novela-ironica-mi-novia-preferida-fue-un-bulldog-frances-de-legna-rodriguez-iglesias/https://www.senalc.com/2024/10/03/intertextualidad-metaficcion-y-otros-recursos-en-happy-ever-after/https://www.senalc.com/2024/10/03/el-cuerpo-no-vuelve-a-empezar-de-rebanos-o-de-pastores-de-maielis-gozalez/https://www.senalc.com/2024/10/03/hay-cosas-que-no-quisiera-decir-pero-tambien-hay-cosas-que-me-parece-necesario-mostrar-memoria-materialidad-y-trauma-en-una-conversacion-con-marisol-garcia-walls-sobre-atlas-de-ra/https://www.senalc.com/2025/03/31/los-devoro-la-selva-terror-y-maternidad-en-el-cielo-de-la-selva/https://www.senalc.com/2025/03/31/los-viajes-no-ayudan-a-escribir-sino-a-leer-conversacion-con-diego-vecchio-autor-de-la-extincion-de-las-especies-2017/https://www.senalc.com/2025/03/31/encuadres-autorales-retratos-de-escritoras-mexicanas/https://www.senalc.com/2025/05/02/aportes-recientes-para-el-estudio-de-las-masculinidades/https://www.senalc.com/2025/08/02/desencanto-dolor-grito-ita-2017-de-monica-albizurez/https://www.senalc.com/2025/08/03/de-grietas-y-disidencias-breve-panorama-critico-de-las-practicas-literarias-de-las-narradoras-cubanas-en-el-siglo-xxi/https://www.senalc.com/2025/09/03/sensorialidad-y-sororidad-en-miseria-de-dolores-reyes/https://www.senalc.com/2025/09/03/la-oscilacion-entre-el-desvanecimiento-de-todo-sentido-y-el-extasis-del-yo-una-deriva-de-la-abyeccion-en-el-plano-de-lo-formal-en-matate-amor-de-ariana-harwicz/https://www.senalc.com/2025/11/02/no-por-no-ver-no-veo/